Model
I would ideally like to use a model with red hair and porcelain skin for the shoot as this is the colouring that is usually the most sun-sensitive. I see a lot of articles on sun protection that use models with very tanned skin, but personally see this as a bit of a contradiction as bronzed skin is actually a result of sun damage. I have been in contact with a model who I found on purple port that would fit perfectly, so am hoping to collaborate with her on this shoot. (images below).
Makeup and Hair
As the focus of the article is skincare, I want the hair and makeup to take a back seat and just compliment the images instead of being the focus. I want to create a flawless, perfect base but with a few tiny freckles to give the model a fresh faced, healthy glow and replicate the way that someone of that skin tone might react to sun exposure. I really want the model to look like she has minimal makeup on, while still making the most out of the features by naturally sculpting the eyes and cheekbones. I will naturally define the lips with a pencil, but I don't want to use a glossy product that looks as though she is wearing a lipstick or gloss. As with the rest of the look, the hair will be kept very minimal and simple, maybe down in a loose wave or tied back into a relaxed ponytail.
Styling
When choosing clothing for the shoot, I want to choose simple, lightweight pieces that have a very relaxed minimal feel. I did consider swimwear, but have decided against this as the piece isn't supposed to only be holiday appropriate and discusses SPF all year round. I'm currently looking for a lightweight cotton shirt, maybe with a leotard or simple bra underneath, as this article is all about stripping it back to just skincare and focusing on that.
Setting, Photography & Lighting
The photography and lighting of this shoot will be incredibly important to the final outcome. I have decided to shoot in studio, as I will have more control over the lighting conditions and can't guarantee natural sunlight if I choose to shoot outside. I also want to make sure that the images fit in with the minimal aesthetic of the magazine so I want to shoot against a very plain background. Despite shooting indoors, I want the images to have a really 'sunny' feel about them to compliment the theme of the article. It's really important to me that it is obvious that more light is coming from one direction than others, to replicate the natural highlights and shadows of the sun's rays.
I have organised to collaborate with a photographer called Maarit on this shoot. She has worked closely with one of my friends before and I have seen the images they have produced so I'm confident that she will be able to help me achieve my desired outcome.
Image Refs:
1. Millman, A. (2017). Summertime Sadness. [image] Available at: https://purpleport.com/portfolio/ashmillman/image/2534623/model/?referrer=layna [Accessed 25 Apr. 2017].
2. Millman, A. (2017). Alien Skies. [image] Available at: https://purpleport.com/portfolio/ashmillman/image/2534620/model/?referrer=layna [Accessed 25 Apr. 2017].
3. HUNGER TV. (2017). Young Blood: Scarlett Burton | HUNGER TV. [online] Available at: http://www.hungertv.com/feature/young-blood-scarlett-burton/ [Accessed 26 Apr. 2017].
4. Behance.net. (2017). Behance. [online] Available at: https://www.behance.net/gallery/31460533/TEO-magazine [Accessed 26 Apr. 2017]
5. Zara.com. (2017). NEW ROMANTIC-WOMAN-EDITORIALS | ZARA United Kingdom. [online] Available at: https://www.zara.com/uk/en/editorials/woman/new-romantic-c566146.html [Accessed 26 Apr. 2017].










